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Archive for April, 2008

Emmanuel College history

Posted by ifphc on April 28, 2008

The Miracle Continues

The Miracle Continues: A Personal History of Emmanuel College: 1969-2005, by David R. Hopkins. Franklin Springs, GA: LifeSprings Resources, 2007.

The Miracle Continues: A Personal History of Emmanuel College: 1969-2005 is one man’s heartfelt account of a life given to build a Christian college. Hopkins is honest, clear, detailed, inspirational, and informative in his personal recollections of 36 years spent as faculty member, academic dean, and president of a small Christian campus. Even if one is not an alumnus of Emmanuel College, he or she may gain a sense of the personal struggles, challenges, trials, and triumphs of an administrator working in a private college setting.

This book is “must” reading for anyone who attended Emmanuel College, any member of the International Pentecostal Holiness Church, or any other person who desires a better understanding of the enormity of the task of operating a small, private, church-related college in the 21st century. The Miracle Continues: A Personal History of Emmanuel College: 1969-2005 is a singular volume documenting the real story of a unique institution of higher education. It will be a valuable reference for future generations to read.

–Adapted from cover

Paperback, 255 pages, illustrated. $20.00 list price. Order from LifeSprings Resources.

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African-American Pentecostals in Washington, DC

Posted by ifphc on April 24, 2008

…And They Yet Speak : Historical Survey of African American Pentecostal-Holiness Churches in the Nation’s Capital, Washington, D.C., 1900-2006, by E. Myron Noble. Washington, DC: Middle Atlantic Regional Press, c2007.

Historians have long known that the character of American Pentecostalism has been deeply impacted by the African-American church. The storied interracial Azusa Street revival (1906-1909) in Los Angeles, one of the focal points of the emerging Pentecostal movement, was led by William Seymour, the mild-mannered black Holiness preacher. One of the earliest black Pentecostal organizations, the Church of God in Christ, has become one of the largest Christian denominations in the United States. Pentecostal spirituality, including its music, preaching style, and worship, reflect aspects of the African-American religious experience.

However, most histories of the Pentecostal movement pay only scant attention to the development of these African-American churches. Many histories purporting to tell the story of the broader movement in reality tell primarily the story of select white churches. The people, institutions, and themes of import in African-American Pentecostalism have been omitted from the history books, in part because historians have not had easy access to materials documenting these stories. Few archival collections of African-American Pentecostal materials exist, so the predominantly-white denominations that published histories and built archives figure most prominently in the historical record.

To remedy this historical bias, researchers must engage in the back-breaking work of reconstructing the grass-roots histories of African-American Pentecostalism. E. Myron Noble has done just that for the nation’s capital city. In his recently published book, …And They Yet Speak, he assembled histories of 90 African-American Pentecostal congregations in Washington, DC.

Noble’s work is organized chronologically, beginning with the earliest congregations and is divided into sections according to the decade that each congregation was formed. The breadth of the churches included in this work, both Trinitarian and Oneness, is impressive. The larger black denominations, such as the Church of God in Christ, the Pentecostal Assemblies of the World, the United Holy Church of America, the Apostolic Faith Church of God, and the Church of Our Lord Jesus Christ, are well-represented. But so are smaller denominations and independent congregations of all sizes. Surprising, perhaps, is the relatively strong presence of African-American churches affiliated with predominantly white organizations, such as the Assemblies of God, the Apostolic Faith Church (Portland, Oregon), and the Church of God of Prophecy.

Historians owe a debt to Noble, whose research identified a number of themes important in Pentecostal scholarship. For instance, he documented instances of tongues-speech in Washington, DC beginning in about 1897 (p. 6-9). Noble’s research adds to the growing body of scholarship challenging the historiographical assumption that the modern Pentecostal movement began with the revivals in Topeka, Kansas (1901) and Los Angeles (1906-1909). This book also provides evidence of multiple interracial congregations that existed in the city and recounts several visits of William Seymour (including one in which his sermon on “holy kissing” reportedly stirred dissension among the faithful) (p. 19). Noble also noted that two bishops — Samuel Kelsey (Trinitarian) and Smallwood Williams (Oneness) — actively crossed the denominational and doctrinal barriers in their ministries.

…And They Yet Speak will evoke memories for those who lived the history, and it will be warmly welcomed by scholars and church leaders. Noble, through his decades of labor to document stories that might otherwise have been forgotten, has crafted an invaluable interpretive guide to the understanding of African-American Pentecostalism in Washington, DC. Hopefully, this volume will inspire intrepid researchers to do similar work in other cities and regions.

Reviewed by Darrin J. Rodgers

Paperback, 437 pages, illustrated. $24.99 list price. Order from Barnes and Noble.

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Pentecostal origins of “Kum Ba Yah”

Posted by ifphc on April 9, 2008

God’s Shining Jewels, by Marvin and Helen Frey. Columbus, GA: Brentwood Christian Press, 2008.

The song “Kum Ba Yah” is widely known, but few realize that this African-American spiritual emerged from the life of the Pentecostal church.

In 1936, young Pentecostal evangelist and songwriter Marvin Frey (1918-1992) wrote the chorus, “Come By Here.” According to a recently-published biography of Frey, God’s Shining Jewels, this chorus traveled to Belgian Congo with African missionaries, who eventually brought the song to Angola. The Angolan believers sang “Come By Here” in the Lu Valle dialect, sounding like “Kum Ba Yah.” The missionaries, upon their return to America, brought this musical adaptation with them, which quickly spread throughout America and beyond. Frey registered both “Come By Here” and “Kum Ba Yah” with the Library of Congress. For an alternate account of the song’s origins, see the Wikipedia entry for “Kum Ba Yah.”

Who was Marvin Frey? One of twelve children born to immigrants from Germany, Frey was reared in Portland, Oregon. At age seventeen he began a prolific songwriting career, composing some of the most popular Christian choruses of the twentieth century. In 1955 he and Helen united in marriage, and they formed a dedicated ministry team for thirty-five years. The Freys began a children’s and youth ministry in New York City. They held credentials with the Independent Assemblies of God, the Pentecostal organization led by Rev. A. W. Rasmussen.

God’s Shining Jewels is a careful retelling of the lives and ministry of Marvin and Helen Frey. Of particular note are stories of their memories of and interactions with Pentecostal luminaries such as Charles S. Price, Aimee Semple McPherson, Thomas Wyatt, and Jack Coe. This inspiring and informative volume will be of interest not only to friends and ministry partners of the Freys, but also to scholars who will appreciate this account of a significant figure whose influential music and ministry extended over several generations.

Twenty of Frey’s most sung choruses (followed by copyright dates) are below:

Alleluia, 1973
Blessing and Honor and Glory, 1977
Do Lord, 1977
He is Lord, 1977
He Showed Me His Hands, 1977
He’s All I Need, 1974
I Have Decided to Follow Jesus, 1983
I Have a Jubilee Down in My Heart, 1977
I Know It Was the Blood, 1977
I Love Him For He Is Mine, 1977
Isn’t He Wonderful, 1973
I’ve Got Peace Like a River, 1977
Kum Ba Yah, 1936
Lord Make Us One, 1977
Oh the Blood of Jesus, 1977
Praise Him in the Morning, 1977
The Move Is On, 1977
This Is My Commandment, 1977
We’ll Give the Glory to Jesus, 1977
With Healing in His Wings, 1978

Reviewed by Darrin J. Rodgers

Paperback, 160 pages, illustrated. $12.00, plus $2.00 postage. Order from: http://marvinfrey.com

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